I thought I would share this article about how when writing music, it can be helpful to think about your bass-line as a “second melody”. If the composer is careful in noticing the relationship between the two, the song will be more dynamic and engaging. There are 4 different ways to asses this relationship between the motion of the melody and the motion of the bass: parallel, similar, oblique, contrary. Each describes a relationship between the chord structure and the direction of movement of the line. Variety between the 4 creates complex, exciting pieces like the classical composers did.
Worth your attention:
The Relationship Between Melodies and Bass Lines
There may be apps that do that. You can definitely find spectrum analyzers that will measure ultra low.
Is there an APP that can measure the ultra low frequency levels?
.Plaster is a viable middle and high frequency absorber. We have used it many times in new builds that have…
Hi Dennis I'm curious what you think of acoustic perforated plaster - say CST Galaxy -on particularly ceilings in music…